翻訳と辞書
Words near each other
・ Why This Kolaveri Di
・ Why Truth Matters
・ Why Tuesday?
・ Why Two?
・ Why U
・ Why Wait
・ Why Wait (album)
・ Why Wait (song)
・ Why Wal-Mart Works; and Why That Drives Some People C-R-A-Z-Y
・ Why War?
・ Why Was I Born?
・ Why We Bang
・ Why We Broke Up
・ Why We Can't Wait
・ Why We Disagree About Climate Change
Why We Fight
・ Why We Fight (2005 film)
・ Why We Fight (album)
・ Why We Fight (Angel)
・ Why We Fight (disambiguation)
・ Why We Get Fat
・ Why We Love Dogs, Eat Pigs, and Wear Cows
・ Why We Love Women
・ Why We Nap
・ Why We Run
・ Why We Suck
・ Why We Thugs
・ Why Why Love
・ Why Women Love
・ Why Women's Police Stations


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Why We Fight : ウィキペディア英語版
Why We Fight

''Why We Fight'' is a series of seven documentary films commissioned by the United States government for propaganda during World War II whose purpose was to show American soldiers the reason for U.S. involvement in the war. Later on they were also shown to the general U.S. public to persuade them to support American involvement in the war.
Most of the films were directed by Frank Capra, who was daunted yet impressed and challenged by Leni Riefenstahl's propaganda film ''Triumph of the Will'' and worked in direct response to it. The series faced a tough challenge: convincing a recently non-interventionist nation of the need to become involved in the war and ally with the Soviets, among other things. In many of the films, Capra and other directors spliced in Axis powers propaganda footage going back twenty years, and re-contextualized it so it promoted the cause of the Allies.
''Why We Fight'' was edited primarily by William Hornbeck, although some parts were re-enacted "under War Department supervision" if there was no relevant footage available. The animated portions of the films were produced by the Disney studios – with the animated maps following a convention of depicting Axis-occupied territory in black.
==Purpose of films as war information==

Director Frank Capra enlisted shortly after the Japanese attack on Pearl Harbor. He was assigned to work directly under Chief of Staff George C. Marshall, the most senior officer in command of the Army, who would later create the Marshall Plan and be awarded a Nobel Peace Prize. Marshall felt that Signal Corps was incapable of producing "sensitive and objective troop information films." One colonel explained the importance of these future films to Capra:
During his first meeting with General Marshall, Capra received his mission:

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Why We Fight」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.